Page 216 - Retos y desafios de lo escenarios emergentes en la comunicacion educativa 1
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Retos y desafíos de los escenaRios emeRgentes en la comunicación educativa



               When I say “we”, I reference the larger group that I collaborate with
               on all these initiatives. Working with a team is a central aspect of my
               work, and I am grateful for the Civic Paths Group, which is made
               up  of  graduate,  doctoral,  and  undergraduate  students,  and  other
               members of our network. The Group is led by me (as Co-Principal
               Investigator) and Prof. Henry Jenkins (the Principal Investigator).


               I should also introduce myself, as I, like you, are not just a face on a
               screen. I am a scholar, practitioner, artist, and most importantly, a
               human being. Working on the civic imagination has allowed me to
               expand my thinking and apply these participatory modes to various
               practices.  My  work  is  rooted  in  my  own  experiences  growing  up
               between  several  countries  and  living  through  various  challenging
               situations, including curfews, martial law, and even a revolution. I
               also have a background in dance, which led me to explore embodied
               participatory modes in my work.

               Pivoting back to the Civic Imagination Project, our work is focused
               on  tapping  the  ideas,  memories  and  aspirations  that  excite  us
               about  the  future  while  simultaneously  honoring  our  memories.
               Civic  imagination  is  NOT  an  escape  from  the  problems  that  exist
               in our society. Rather, civic imagination exists alongside the work
               of countering these problems. Both aspects of civic life are equally
               important.

               Our  approach  to  the  civic  imagination  is  rooted  in  participatory
               cultures,  as  we  strongly  believe  in  encouraging  participation  and
               tapping our interests are crucial entry points into civic engagement.
               We  draw  inspiration  from  fan  practices  and  the  ways  in  which
               people  engage  with  stories  through  play,  sharing,  and  discussion.
               Additionally, we engage with critical creative industries, collaborating
               with  media  makers  as  they  create  their  stories.  Our  commitment
               lies  in  collective  imagination  and  agency,  promoting  democratic
               participation,  and  finding  connections  between  cultural  practices
               and civic and political action.

               The encoding and decoding media model proposed by media scholar
               Stuart Hall in 1973 is extremely helpful in articulating how the civic



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